Tethered as he was to his equine-powered darkroom and with film speeds being much slower then, Brady produced war photos that are understandably light on the action and heavy on the aftermath.

受到当时条件的约束——暗室靠马力来维持供电而且那时胶卷感光速度也慢得多，可以理解，布雷迪的战争照片是拍的时候容易、后期处理却很难。