Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?

同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？