It criticized overly pro forma raffishness with gaudy form, it spread out the gaudy objects in reality, parked with more raffishness and made them expose directly with vanity, flamboyance, atrocity.

它是以艳俗的形式来批判形式上的过分艳俗，它将现实中的“艳俗”对象罗列出来，同时加以更艳俗化的包装，让对象的浮华艳丽、俗不可耐直接暴露。