So it was not only her beauty, but also her sadness and then those intimations of savagery, that so transfixed the critics of the 19th century.

所以说，不仅仅是她的美丽，还有她的忧伤，和随之而来那些带有接近原始慌蛮感的暗示使得19世纪的评论家们目瞪口呆。